BOOM BAP BEATS

BOOM BAP BEATS FOR SALE

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BULK DISCOUNTS

SYNC - PODCASTS
​USE AS BACKGROUND MUSIC IN PODCASTS

5 beats for $49.99
10 beats for $99.98
15 beats for $149.97
20 beats for $199.96

SYNC - YOUTUBE
USE AS BACKGROUND MUSIC ON YOUTUBE

5 beats for $99.99
10 beats for $199.98
15 beats for $299.97
20 beats for $399.96

SYNC - FILM/TV/GAME
USE AS BACKGROUND MUSIC IN FILM & GAMES

5 beats for $499.99
10 beats for $999.98
15 beats for $1,499.97
20 beats for $1,999.96

ARTIST WAV LEASE
RAPPERS & SINGERS RECORD NEW SONG

5 beats for $149.99
10 beats for $299.98
15 beats for $449.97
20 beats for $599.96

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LICENSE TERMS

SYNC-PODCASTS TERMS

​GUARANTEE
LICENSOR guarantees that it owns and controls the rights represented herein with respect to the recordings and the musical compositions in the Work and has and will hold throughout the TERRITORY and during the DURATION the above listed rights to exploit the Work as contemplated herein. LICENSOR shall indemnify and hold the LICENSEE harmless from any and all claims, liabilities and costs, losses, damages or expenses (including attorney's fees) arising out of any breach, allegation, claim or failure of any covenants or warranties made by the LICENSOR herein.

GENERAL TERMS
The mechanical, synchronization, and performance rights granted to the LICENSEE within the AGREEMENT include (1) unlimited right to re-record, duplicate and release the Work as part of a production in Podcasts 2) Work can be used as intro, background and or outro music to the podcast(s) The LICENSOR grants LICENSEE a non-exclusive perpetual license to use the Work herein. 

RIGHTS NOT INCLUDED IN THIS AGREEMENT
The rights granted to the LICENSEE do not permit the LICENSEE to (1) claim authorship of the music represented under this AGREEMENT; (2) transfer, share or sub-lease this license agreement with any other party; (3) copy or duplicate the Work except for use in the LICENSEE'S productions; (4) permit any other individual or third party the right to use the Work in place of the LICENSEE; (5) resell, trade, or exploit for profit the Work contained herein outright or as part of other music and/or audio-related collections, in part or in whole, to any other individual or party (although the music can be sold as part of the production, which is a clear and distinct product from Work itself.) 

YOU ARE NOT ALLOWED TO RECORD A NEW SONG (NEW WORK) UNDER THIS AGREEMENT. ​

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SYNC-YOUTUBE TERMS

​GUARANTEE
LICENSOR guarantees that it owns and controls the rights represented herein with respect to the recordings and the musical compositions in the Work and has and will hold throughout the TERRITORY and during the DURATION the above listed rights to exploit the Work as contemplated herein. LICENSOR shall indemnify and hold the LICENSEE harmless from any and all claims, liabilities and costs, losses, damages or expenses (including attorney's fees) arising out of any breach, allegation, claim or failure of any covenants or warranties made by the LICENSOR herein.

GENERAL TERMS
The mechanical, synchronization, and performance rights granted to the LICENSEE within the AGREEMENT include (1) unlimited right to re-record, duplicate and release the Work as part of a production in YouTube videos 2) Work can be used as intro, background and or outro music to the video(s) The LICENSOR grants LICENSEE a non-exclusive perpetual license to use the Work herein. 

RIGHTS NOT INCLUDED IN THIS AGREEMENT
The rights granted to the LICENSEE do not permit the LICENSEE to (1) claim authorship of the music represented under this AGREEMENT; (2) transfer, share or sub-lease this license agreement with any other party; (3) copy or duplicate the Work except for use in the LICENSEE'S productions; (4) permit any other individual or third party the right to use the Work in place of the LICENSEE; (5) resell, trade, or exploit for profit the Work contained herein outright or as part of other music and/or audio-related collections, in part or in whole, to any other individual or party (although the music can be sold as part of the production, which is a clear and distinct product from Work itself.) 

​YOU ARE NOT ALLOWED TO RECORD A NEW SONG (NEW WORK) UNDER THIS AGREEMENT. ​

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SYNC - FILM/TV/GAME TERMS

​GUARANTEE
LICENSOR guarantees that it owns and controls the rights represented herein with respect to the recordings and the musical compositions in the Work and has and will hold throughout the TERRITORY and during the DURATION the above listed rights to exploit the Work as contemplated herein. LICENSOR shall indemnify and hold the LICENSEE harmless from any and all claims, liabilities and costs, losses, damages or expenses (including attorney's fees) arising out of any breach, allegation, claim or failure of any covenants or warranties made by the LICENSOR herein.

GENERAL TERMS
The mechanical, synchronization, and performance rights granted to the LICENSEE within the AGREEMENT include (1) unlimited right to re-record, duplicate and release the Work as part of a production in whatever medium(s) necessary (i.e. video tape, film, TV Show, Commercial, CD-ROM, DVD). If the music is used in software such as a video game application or other software product, the music will be "embedded" with the intention that the end user of the software or video game is unable to extract or use the music on its own; (2) right to use the music as a soundtrack "synced" with visual images as part of a production; and (3) right to use the music as part of the public viewing or broadcast of a production (including but not limited to TV shows,YouTube videos, DVDs, Web Sites, multimedia presentations, and films). The LICENSOR grants LICENSEE a non-exclusive perpetual license to use the Work herein. 

​RIGHTS NOT INCLUDED IN THIS AGREEMENT
The rights granted to the LICENSEE do not permit the LICENSEE to (1) claim authorship of the music represented under this AGREEMENT; (2) transfer, share or sub-lease this license agreement with any other party; (3) copy or duplicate the Work except for use in the LICENSEE'S productions; (4) permit any other individual or third party the right to use the Work in place of the LICENSEE; (5) resell, trade, or exploit for profit the Work contained herein outright or as part of other music and/or audio-related collections, in part or in whole, to any other individual or party (although the music can be sold as part of the production, which is a clear and distinct product from Work itself.) 

​YOU ARE NOT ALLOWED TO RECORD A NEW SONG (NEW WORK) UNDER THIS AGREEMENT.

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ARTIST WAV LEASE TERMS (FOR RAPPERS & SINGERS)
​

1. In return for payment of the fee, Producer grants a non-exclusive license to the Artist to use the chosen musical work named "BEAT_NAME" (referred to here as “Beat”) to create one (1) new recording (“the Track”).
   
   
2. The Artist shall have the right to commercially release the Track by any and all means, throughout the world, subject to these terms
   
   
3. This license is for a term of unlimited years from the date of this agreement (“Term”). After the Term the license will automatically end and the Artist will be required to extend the term to by paying an additional fee or taking such other steps as required by the Producer. [or The term of this agreement shall be for life of copyright subject to the provisions of Para 3].
   
   
   1. Further during the Term the Artist’s usage of the Beat shall be limited to the following limits (“Thresholds”)
      
      
      1. unlimited for-profit downloads or physical sales of the Track. For the purpose of of calculating and the Threshold two hundred (200) streams of the Track via so-called subscription services shall count as one sale, and
         
         
      2. unlimited free internet downloads for non-profit and non-commercial use.
         
         
      3. unlimited for-profit public performances of the Track with a maximum profit of one thousand ($1,000) US Dollars in compensation or ticket sales using the Track in the performances
         
         
      4. unlimited non-profit public performances of the Track
         
         
      5. unlimited music videos for the Track                      
      6. unlimited audio and video streams. 
         
         
   2. Once any of the limits have been reached then the Artist will be required to extend the license by paying an additional fee or taking such other steps as required by the Producer.
      
      
4. The Artist is not required to pay the Producer a royalty or any income from the Track.
   
   However, despite this, the Artist agrees that;-
   
   
   1. the Producer shall have a fifty percent (50%) share of the publishing in the Track and shall receive publishing income directly from the applicable Collection Society. Email for DistroKid Split is [email protected]. For digital distribution through services such as Tuncore, Distrokid, CD Baby etc, Licensee must add Licensor (Grizzly Beatz) as a Primary artist, using Spotify URI spotify:artist:2TzIeWirsf62rqqqQMrXY2 
      
      
      1. The Artist agrees that he/she will register the Producer’s interest, on the Producer’s behalf, at the collection society in the Artist’s home territory to ensure that mechanical and performance royalties are collected throughout the world. https://en.wikipedia.org/wiki/List_of_copyright_collection_societies
         
         
      2. The Artist shall use the Producer’s membership number and follow the directions contained in the email that shall be sent to the Artist by the Producer.  [to be drafted separately]
         
         
      3. The Producer and the Artist shall each administer their respective shares of the publishing in the Track. Any sync licenses for the Track must be pre-approved by the Producer
         
         
   2. the Producer shall have the right to receive neighboring rights income as a performer on the Track directly from the applicable Collection Society.
      
      
      1. The Artist agrees that he/she will register the Producer’s interest on the Producer’s behalf with the collection society in the Artist’s home territory that that administers neighboring rights income throughout the world. https://en.wikipedia.org/wiki/List_of_copyright_collection_societies
         
         
      2. The Artist shall use the Producer’s membership number and follow the directions contained in the email that shall be sent to the Artist. Grizzly Beatz - BMI (IPI #00674116838) 
         
         
5. The Producer warrants and represents the following:-
   
   
   1. that they are the owner of the copyright in the Beat;
      
      
   2. that he/she has the right to enter into this Agreement and to grant all the rights which he  grant herein;
      
      
   3. subject to the provisions of Para 9 below that the Beat does not infringe the rights of any third party;
      
      
   4. that all necessary consents under law are granted to the Artist
      
      
   5. that he/she waives any and all so called moral rights.
      
      
   6. all necessary publishing licenses will be made available to the Artist in respect of the Track free of charge for use by the Artist in connection with non-monetized advertising and/or promotion of the Track
      
      
6. The Artist warrants that and represents the following;-
   
   
   1. that they have the right to enter this agreement
      
      
   2. that the Track shall not infringe the rights of any third party
      
      
   3. that they shall comply with all the obligations and limitations set out in this agreement
      
      
7. The Artist agrees to ensure that the Producer is credit on the on the metadata and packaging or promotion of the Track as follows [Produced by Grizzly Beatz]
   
   
8. The Artist agrees to indemnify the Producer and hold him/her harmless from all claims, losses and expenses including reasonable legal fees arising out of  or resulting from a claimed breach of the Artist’s warranties, representations and obligations in this agreement
   
   
9. Artist agrees that they will take steps to obtain any and all clearances of the sample prior to release of the Track. The Artist shall also take steps to clear the publishing sample. The Artist shall indemnify the Producer from all losses and costs arising from any claims from third parties concerning the Artist’s  failure to take the required steps. 
   
   
10. The Artist acknowledges that the Producer shall retain ownership of the copyright in master and the underlying composition the Beat and shall have the right to grant separate licenses thereof to other artists.
    
    
11. The Artist acknowledges that the payment for this license is non refundable. If the Artist fails to comply with any obligation hereunder the Producer shall have the right on notice to the Artist to terminate this license and all rights shall revert to the Producer. Such termination shall render any further exploitation by the Artist as an actionable infringement of copyright.
    
    
12. This rights granted to the Artist are not assignable or otherwise transferable
    
    
13. This license constitutes the entire agreement between the parties  
    
    
14. This Agreement shall be construed in accordance with the law of United States.

END OF AGREEMENT

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WHAT ARE BOOM BAP BEATS?

Boom Bap Beats: The Heartbeat of Hip-Hop

Boom Bap beats are the rhythmic foundation of hip-hop music, characterized by their hard-hitting drums and chopped samples. Originating in the 1980s and reaching its peak in the 1990s, Boom Bap has remained a staple of hip-hop culture, influencing producers and artists worldwide.

Origin and Evolution

The term "Boom Bap" refers to the distinctive sound of the kick drum (Boom) and snare drum (Bap), creating a rhythmic pattern that is both dynamic and infectious. This style of production emerged from the early days of hip-hop in New York City, where DJs and producers experimented with drum machines and samplers to create new sounds.

One of the pioneers of Boom Bap production is DJ Premier, known for his work with Gang Starr and artists like Nas and Jay-Z. His use of gritty drum breaks and soulful samples became synonymous with the Boom Bap sound. Another influential figure is Pete Rock, whose smooth jazz-influenced beats helped define the golden era of hip-hop.
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As hip-hop evolved, so did Boom Bap production. Producers like J Dilla introduced a more laid-back and experimental approach, incorporating live instrumentation and unconventional rhythms. This era saw the rise of artists like MF DOOM, who embraced Boom Bap's raw and unfiltered aesthetic.

Popular Equipment for Making Boom Bap Beats

The creation of Boom Bap beats is intricately tied to the equipment used by producers, with certain tools and gear becoming synonymous with the genre's sound. Here are some of the popular equipment used for making Boom Bap beats:

1. Akai MPC Series: The Akai MPC (Music Production Center) series is legendary among hip-hop producers. Models like the MPC2000XL, MPC3000, and MPC60 have been instrumental in shaping the Boom Bap sound. These machines allow producers to sample, sequence, and program beats with precision.
2. Roland SP-404: The Roland SP-404 is a portable sampler and sequencer that has gained popularity among lo-fi and Boom Bap producers. Its intuitive interface, built-in effects, and ability to manipulate samples on the fly make it a favorite for creating gritty, textured beats.
3. Emu SP-1200: Although discontinued, the Emu SP-1200 is a classic drum machine and sampler known for its crunchy 12-bit sound. Many iconic Boom Bap tracks from the 1990s were produced using the SP-1200, contributing to its legendary status in hip-hop production.
4. Turntables and Vinyl Records: Sampling from vinyl records played on turntables is a fundamental aspect of Boom Bap production. Producers often dig through crates of records to find unique samples that add depth and character to their beats.
5. Drum Machines: In addition to the MPC and SP series, drum machines like the Roland TR-808 and TR-909 have played a significant role in shaping Boom Bap rhythms. The distinct sounds of these drum machines, especially the punchy kicks and snares, are staples of the genre.
6. Analog Synthesizers: While samples are a cornerstone of Boom Bap production, analog synthesizers also contribute to the genre's sonic palette. Synths like the Moog Minimoog and Korg MS-20 can add warmth and texture to beats, enhancing their overall vibe.
7. Digital Audio Workstations (DAWs): Modern Boom Bap producers often use DAWs like Ableton Live, FL Studio, and Logic Pro to arrange and mix their beats. These software platforms offer a wide range of tools for manipulating samples, creating drum patterns, and adding effects.

Popular Boom Bap Producers and Artists

1. DJ Premier: Known for his signature scratching and hard-hitting beats, DJ Premier is a legendary figure in Boom Bap production. His collaborations with Nas ("Illmatic") and Biggie Smalls ("Kick In The Door") are classics of the genre.
2. Pete Rock: With his soulful samples and impeccable drum programming, Pete Rock's productions have influenced generations of hip-hop producers. Tracks like "T.R.O.Y. (They Reminisce Over You)" are hailed as timeless masterpieces.
3. J Dilla: A master of groove and melody, J Dilla's production style pushed the boundaries of Boom Bap. His work with artists like Slum Village and The Pharcyde is revered for its soulful vibe and intricate rhythms.
4. 9th Wonder: Known for his soul-sampling chops and boom-bap aesthetic, 9th Wonder has produced hits for artists like Kendrick Lamar, J. Cole, and Jay-Z. His production style combines classic elements with modern innovation.
5. MF DOOM: As a rapper and producer, MF DOOM's lo-fi Boom Bap beats have gained a cult following. Albums like "Madvillainy" (with Madlib) showcase his unique blend of humor, wordplay, and gritty production.